Planning essays
1.
Strategy
You can approach the composition of an
essay using a number of different
writing strategies.
Some people like to start writing and
wait to see what develops. Others work
up scraps of ideas until they perceive a
shape emerging. However, if you are in
any doubt at all, it's a good idea to
plan your work. The task of writing
is usually much easier if you create a
set of notes
which outline the points you are going
to make. Using this approach, you will
create a basic
structure on which your ideas can
be built.
2.
Plans
This is a part of the essay-writing
process which is best carried out using
plenty of scrap paper. Get used to the
idea of shaping and re-shaping your
ideas before you start writing,
editing and
rearranging your
arguments as you give them more
thought. Planning on-screen using a
word-processor is possible, but
it's a fairly advanced technique.
3.
Analyse the question
Make sure you understand what the
question is asking for. What is it
giving you the chance to write about?
What is its central issue?
Analyse any of
its key terms
and any instructions.
If you are in any doubt, ask your tutor
to explain what is required.
4.
Generate ideas
You need to assemble ideas for the
essay. On a first sheet of paper, make a
note of anything which might be
relevant to
your answer. These might be
topics, ideas,
observations, or instances from your
study materials. Put down anything you
think of at this stage.
5.
Choosing topics
On a second sheet of paper, extract from
your brainstorm listings those
topics and
points of argument which are of greatest
relevance to
the question and its central issue.
Throw out anything which cannot be
directly related to the essay question.
6.
Put topics in order
On a third sheet of paper, put these
chosen topics in some logical sequence.
At this stage you should be formulating
a basic response to the question, even
if it is provisional and may later be
changed. Try to arrange the points so
that they form a persuasive and coherent
argument.
7.
Arrange your evidence
All the major points in your
argument need
to be supported by some sort of
evidence. On
any further sheets of paper, compile a
list of brief
quotations from other sources
(together with page
references) which will be offered
as your evidence.
8.
Make necessary changes
Whilst you have been engaged in the
first stages of planning, new ideas may
have come to mind. Alternate
evidence may
have occurred to you, or the line of
your argument may have shifted somewhat.
Be prepared at this stage to rearrange
your plan so that it incorporates any of
these new materials or ideas. Try out
different arrangements of your essay
topics until
you are sure they form the most
convincing and logical sequence.
9.
Finalise essay plan
The structure
of most essay plans can be summarised as
Introduction -
Arguments -
Conclusion.
State your case as briefly and rapidly
as possible, present the
evidence for
this case in the body of your essay,
then sum up and try to 'lift' the
argument to a higher level in your
conclusion. Your final plan should be
something like a list of half a dozen to
ten major points of
argument. Each one of these
points will be expanded to a
paragraph of
something around 100-200 words minimum
in length.
10.
Relevance
At all stages of essay planning, and
even when writing the essay, you should
keep the question
in mind. Keep asking yourself "Is
this evidence directly
relevant to the topic I have been
asked to discuss?" If in doubt, be
prepared to scrap plans and formulate
new ones - which is much easier than
scrapping finished essays. At all times
aim for clarity and logic in your
argument.
11.
Example
What follows is an example of an outline
plan drawn up in note
form. It is in response to the question
'Do you think that depictions of sex
and violence in the media should or
should not be more heavily censored?'.
[It is worth studying the plan in its
entirety. Take note of its internal
structure.]
'Do you
think that depictions of sex and
violence in the media should or should
not be more heavily censored?'
Introduction
Sex, violence, and
censorship all emotive subjects
Case against
censorship
1. Aesthetic:
inhibits artistic talent, distorts art
and truth.
2. Individual
judgement: individuals have the
right to decide for themselves what they
watch or read. Similarly, nobody has the
right to make up someone else's mind.
3. Violence and sex
as catharsis (release from tension):
portrayal of these subjects can release
tension through this kind of experience
at 'second hand'.
4. Violence can
deter: certain films can show
violence which reinforces opposition to
it, e.g. - A Clockwork Orange, All
Quiet on the Western Front.
5. Censorship makes
sex dirty: we are too repressed
about this subject, and censorship
sustains the harmful mystery which has
surrounded us for so long.
6. Politically
dangerous: Censorship in one area
can lead to it being extended to others
- e.g., political ideas.
7. Impractical:
Who decides? How is it to be done? Is it
not impossible to be 'correct'? Any
decision has to be arbitrary
Case for censorship
1. Sex is private
and precious: it should not be
demeaned by representations of it in
public.
2. Sex can be
offensive: some people may find it
so and should not have to risk being
exposed to what they would find
pornographic.
3. Corruption can
be progressive: can begin with sex
and continue until all 'decent values'
are eventually destroyed.
4. Participants
might be corrupted: especially true
of young children.
5. Violence can
encourage imitation: by displaying
violence - even while condemning it -it
can be legitimised and can also
encourage imitation amongst a dangerous
minority.
6. Violence is
often glorified: encourages callous
attitudes.
Conclusion
Case against
censorship much stronger. No necessary
connection between the two topics.
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